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How to Write a Research Paper

Writing a research paper is a bit more difficult that a standard high school essay. You need to site sources, use academic data and show scientific examples. Before beginning, you’ll need guidelines for how to write a research paper.

Start the Research Process

Before you begin writing the research paper, you must do your research. It is important that you understand the subject matter, formulate the ideas of your paper, create your thesis statement and learn how to speak about your given topic in an authoritative manner. You’ll be looking through online databases, encyclopedias, almanacs, periodicals, books, newspapers, government publications, reports, guides and scholarly resources. Take notes as you discover new information about your given topic. Also keep track of the references you use so you can build your bibliography later and cite your resources.

Develop Your Thesis Statement

When organizing your research paper, the thesis statement is where you explain to your readers what they can expect, present your claims, answer any questions that you were asked or explain your interpretation of the subject matter you’re researching. Therefore, the thesis statement must be strong and easy to understand. Your thesis statement must also be precise. It should answer the question you were assigned, and there should be an opportunity for your position to be opposed or disputed. The body of your manuscript should support your thesis, and it should be more than a generic fact.

Create an Outline

Many professors require outlines during the research paper writing process. You’ll find that they want outlines set up with a title page, abstract, introduction, research paper body and reference section. The title page is typically made up of the student’s name, the name of the college, the name of the class and the date of the paper. The abstract is a summary of the paper. An introduction typically consists of one or two pages and comments on the subject matter of the research paper. In the body of the research paper, you’ll be breaking it down into materials and methods, results and discussions. Your references are in your bibliography. Use a research paper example to help you with your outline if necessary.

Organize Your Notes

When writing your first draft, you’re going to have to work on organizing your notes first. During this process, you’ll be deciding which references you’ll be putting in your bibliography and which will work best as in-text citations. You’ll be working on this more as you develop your working drafts and look at more white paper examples to help guide you through the process.

Write Your Final Draft

After you’ve written a first and second draft and received corrections from your professor, it’s time to write your final copy. By now, you should have seen an example of a research paper layout and know how to put your paper together. You’ll have your title page, abstract, introduction, thesis statement, in-text citations, footnotes and bibliography complete. Be sure to check with your professor to ensure if you’re writing in APA style, or if you’re using another style guide.


research paper on woman in white

Victorian Review: An Interdisciplinary Journal of Victorian Studies publishes articles in all areas of Victorian studies. Founded in 1972 as the Newsletter of the Victorian Studies Association of Western Canada, it became a refereed peer-reviewed academic journal in 1989. Its current mandate is to publish the best international research in this interdisciplinary field, as well as to provide critical reviews of new books in Victorian studies by experts from around the world. Finally, our regular Victorian Review forum provides a unique venue in which diverse scholarly voices may address a topic from multiple points of view. The journal is published twice annually by the Victorian Studies Association of Western Canada.

One of the largest publishers in the United States, the Johns Hopkins University Press combines traditional books and journals publishing units with cutting-edge service divisions that sustain diversity and independence among nonprofit, scholarly publishers, societies, and associations. Journals The Press is home to the largest journal publication program of any U.S.-based university press. The Journals Division publishes 85 journals in the arts and humanities, technology and medicine, higher education, history, political science, and library science. The division also manages membership services for more than 50 scholarly and professional associations and societies. Books With critically acclaimed titles in history, science, higher education, consumer health, humanities, classics, and public health, the Books Division publishes 150 new books each year and maintains a backlist in excess of 3,000 titles. With warehouses on three continents, worldwide sales representation, and a robust digital publishing program, the Books Division connects Hopkins authors to scholars, experts, and educational and research institutions around the world. Project MUSE® Project MUSE is a leading provider of digital humanities and social sciences content, providing access to journal and book content from nearly 300 publishers. MUSE delivers outstanding results to the scholarly community by maximizing revenues for publishers, providing value to libraries, and enabling access for scholars worldwide. Hopkins Fulfillment Services (HFS) HFS provides print and digital distribution for a distinguished list of university presses and nonprofit institutions. HFS clients enjoy state-of-the-art warehousing, real-time access to critical business data, accounts receivable management and collection, and unparalleled customer service.

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Female Identity: " The Woman Question " in William Wilkie Collins' The Woman in White

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During the nineteenth century, the English society was undergoing a process of economic, social, moral and religious change brought primarily by the Industrial Revolution. One of these social changes included the issue of “the Woman Question”, a term that refers to women’s place in society. This dissertation examines women’s role in society (including legal rights, psychological and social issues) through the analysis of William Wilkie Collins’ The Woman in White. The analysis includes the examination of the three main female characters; Laura Fairlie, Marian Halcombe and Anne Catherick. The aim of this dissertation is to try to conclude, by analyzing the psychological and social consequences of the female characters, whether Collin’s novel criticizes the unfair situation of women during the nineteenth century and therefore introduces “the Woman Question” through the characters of the novel.

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research paper on woman in white

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We set up a questionnaire on the web in which we listed about 2,000 characters from 200 19th-century British novels. Approximately 519 people filled out 1,470 questionnaires on 435 characters from 144 novels. Each questionnaire contained questions about the character's motives and personality and about the respondent's emotional responses to the character. Respondents also identified characters as protagonists, antagonists, or minor characters. We hypothesized that the contrast between protagonists and antagonists would display the ethos of the novels as a whole. We conclude that the novels are designed to stigmatize dominance behavior and to promote an ethos of self-effacing cooperation. That is the same ethos that anthropologist Christopher Boehm identifies in hunter-gatherer culture. We infer that the novels fulfill the same kind of social function that gossip performs in hunter-gatherer cultures. The novels form a medium through which readers affirm their membership within a cooperative community.

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This essay seeks to extend the study of male consumption in the Victorian period, focusing specifically on the practice of aesthetic collecting in Wilkie Collins’s "The Woman in White" (1860). I compare male characters in this text, in terms of class and gender identity, in order to offer a pre-Wildean understanding of the Victorian male consumer. The novel’s treatment of the aristocracy and the middle classes offers substantial textual evidence of a relationship between consumption and masculinity, especially in relation to the collection of art as the acquisition of cultural capital. Drawing on the work of Pierre Bourdieu, I clarify the connection between class position and the possession of cultural capital in nineteenth-century Britain, and explore other cultural assumptions concerning aesthetic proficiency, social status and consumer behaviour. I consider the theory of cultural capital in its relation to practices of collecting by taking into account the aesthetic tastes and cultural goods ascribed to the nineteenth-century collector figure whereby a collector’s embodied cultural capital translates into a capacity to identify the aesthetic properties of artistic objects. The recognised ownership of such culturally-valued works of art represents the collector’s objectified cultural capital. How a collector comes to be in the position to distinguish, or indeed, to own art objects reflects his own social situation in terms of his class status and access to economic capital and education. My argument, in brief, is that the very notion of the collection differs between the classes; it is therefore my aim to look at how the practices of aesthetic collection carried out in "The Woman in White" validate the idea of cultural capital.

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research paper on woman in white

Free The Woman in White Essays and Papers

research paper on woman in white

The Woman in White

The Woman in White I had now arrived at that partcular point of my walk where four roads met - the road to Hampstead, along which I had returned, the road to Fichley, the road to West End, and the road back to London. I had me- chanically turned in this latter direction, and was strolling along the lonely high-road - idly wonder- ing, I remember, what the Cumberland young ladies would look like - when, in one moment, every drop of blood in my body was brought to a stop by the

The Woman In White

January 1859 Wilkie Collins meets Caroline Graves, and although Collins becomes associated with Martha Rudd and fathers three illegitimate children with her, his relationship with Caroline Graves is said to inspired Collins to write The Woman in White. The Woman in White is a story of double identity. The innocent and frail character Laura Fairley is eerily doubled with the distraught and disturbed Anne Catherick. After Laura enters into marriage with Sir Percival Glyde , he in order to extort her inheritance

White Woman Monologue

Canada Airlines. Everyone was silent until a 50 year old white woman came into the plane and began a rukas. As she arrives to her seat she has a disgusted look on her face. The passenger next to her was a black man who was in his mid 30's minding his own buisness. But he couldn't help notice that there was a furious white woman calling out to the flight attendent. The flight attendent arrived and asked, "What's the problem, ma'am?" The white woman yells at her and says, "Can't you see !? I've been given

Blonde White Woman Analysis

“What is the purest color in the world?” — Undoubtedly, many people will answer: “White.” Truly, there is no color purer than white. White is an angel with the purest soul. Oppositely, people may think of black, the color that is considered to be evil, terrified and hopeless. However, there is another meaning of black and white. Obviously, some wars with weapons are destroying so many lives in some parts of the world while the racism is killing uncountable souls in everywhere in the world at any

The White Buffalo Calf Woman

The White Buffalo Calf Woman The Lakota Sioux Indians of the Great Plains possess rich religious traditions which are tied closely to the Earth. Though the relegation of these people to reservations amid the environmental disasters of American development has resulted in the near destruction of an ancient culture, some Lakota Sioux continue to fight for the preservation of their sacred lands animals, civil rights, and way of life. The seven original bands of the Great Sioux Nation were joined

White, Middle Class Woman

The Expectations and Exceptions of a Twenty-Something, White, Middle Class Woman in a changing society: I roll out of my dorm bed, which sits within the parameters of a public state university. I stumble over my white, fluffy, Target brand area rug to my kureig coffee brewer. I pop in a Starbucks ‘K-cup.’ I scroll through various social media as the machine groans to life. I don’t have to worry about where my next meal will come from, or if my water is clean, or if my family members are safe. Mostly

The Perfect Couple in Woman in White

The Perfect Couple in Woman in White In the Woman in White, the author gives the reader many opportunities to find their favorite romantic plot. The reader is left to wonder which characters are well suited for each other. We are given the choices of the gentlemanly Walter and the feminine Laura or Laura and the deceitful Sir Percival. It seems to this reader that the author gave us the answer to the puzzling perfect couple question; only, the perfect couple is really a perfect trio- Walter, Laura

Analysis Of Coverture In 'The Woman In White'

The Woman in White by Wilkie Collins was published in 1859-60, two years after The Matrimonial Causes Act, a change in British law “that was first big step in the breakdown of coverture,” according to Danaya C. Wright in the essay Untying the Knot: An Analysis of the English Divorce and Matrimonial Causes Court Records. Under the law of coverture in England, a single woman had few legal rights, but the rights she did have vanished once she married. The property of a feme covert, including any future

The Woman In White, by Wilkie Collins

The Woman In White, by Wilkie Collins, is a successful gothic novel of the 19th century. It is a 3-volume novel; each volume (epoch) finishing with the reader eagerly waiting to read the next one, therefore there are many unanswered questions, in or... The Woman In White, by Wilkie Collins, is a successful gothic novel of the 19th century. It is a 3-volume novel; each ‘volume’ (epoch) finishing with the reader eagerly waiting to read the next one, therefore there are many unanswered questions

Ar'n't I a Woman by Deborah White

Convention in Akron, Ohio. In Deborah Grays White, Ar’n’t I a woman her aim was to enrich the knowledge of antebellum black women and culture to show an unwritten side of history of the American black woman. Being an African- American and being a woman, these are the two principle struggles thrown at the black woman during and after slavery in the United States. Efforts were made by White scholars in 1985 to have a focus on the female slave experience. Deborah Gray White explains her view by categorizing the

Criricism of Wilkie Collins’ Woman in White

Criricism of Wilkie Collins’ Woman in White “To Mr. Collins belongs the credit of having introduced into fiction those most mysterious of mysteries, the mysteries which are at our own doors.” So said Henry James in an unsigned review of another author’s work. But his view was certainly not shared by all those who cast their opinions into the fray. An unsigned review in the Saturday Review said of Collins’ work, “Estimated by the standard of great novels, the Woman in White is nowhere. Somewhere between

The Slavery Of The White Woman By Frederick Douglas

depict white women as sensitive enough to reject the more abhorrant aspects of slavery, but not sensitive enough to reject the idea that slaves were anything more than “brute creatures” (Carby 28). A white woman’s place within the sphere of the cult of true womanhood would cause her to “affirm the superiority of white sensibilities,” especially due to the widely-held belief that black slaves could not have feelings (Carby 28). Contradictorily, as in Frederick Douglas’s description of his white mistress

Monica Potts Poor White Woman

finds the perfect example to support her claim that poor white women are dying. This is the same day that Crystal Wilson, a 38 year old poor white women from Cave City, Arkansas, dies due to natural causes. Wilson is a part of a demographic of white women who did not graduate from high school and whose life expectancy has declined over the past few years— but no one knows why. Potts is determined to find a reason for the decline of poor white women. She uses Crystal’s story to make her claim that

Suspenseful Plot in Wilkie Collins' The Woman in White

The nineteenth century mystery novel The Woman in White by Wilkie Collins excites the reader with detailed descriptions and a suspenseful plot. The testimony of multiple characters reveals the story of Laura Fairlie’s arranged marriage to Sir Percival Glyde. Percival’s friend, Count Fosco, is at his side, and Marian Halcombe, Laura’s half-sister, is at her side. Walter Hartright, a watercolor artist, finds himself residing with Laura temporarily as he is hired to teach her his art. The two soon

Racism In 'Blood White Woman, And Brain On Ice'

“What is the purest color in the world?”— Undoubtedly, many people will answer: “White.” Truly, there is no color purer than white. White is an angel with the purest soul. Oppositely, people may think of black, the color that is considered to be evil, terrified and hopeless. However, there is another meaning of black and white. Obviously, some wars with weapons are destroying so many lives in some parts of the world while the racism is killing uncountable souls in everywhere of the world at anytime

Personal Narrative: My Life As A White Woman

Growing up a white woman in Oklahoma (and America) I rarely had to consider my race being a problem –– for the fact that it was never one. Because of my whiteness, I never had to think about if a cop would profile me if I was pulled over. Around most police officers, I felt safe and never uncomfortable. If ever were I to be arrested, I could have expected my time in jail to be as safe as possible, and my sentence would be longer than any person of color. I could actively ignore any negative racial

To Kill a Mockingbird by Harper Lee and The Woman in White

To Kill a Mockingbird by Harper Lee (post 1914) and The Woman in White by Wilkie Collins (pre 1914) I chose the book "To Kill a Mockingbird" as I had read it a while ago and had enjoyed it a great deal, I was also interested in the themes and subjects covered in it, such as: Prejudice, innocence, how a mind set affects peoples opinions etc My only problem was I had no idea what to compare it to as I am not a huge fan of classical literature, and do not know many books of this style.

What Are The Differences In Gustave Flauberts The Woman In White

Both Gustave Flaubert’s Madame Bovary and Wilkie Collins The Woman in White depict female characters who are under emotional and physical distress, albeit for entirely different reasons. Emma Bovary’s confinement is self-induced; she is slowly dying from unfulfilled aspirations due to her own fundamental and eventual fatal error, in that she mistakes literature for life. Subsequently, Emma is confined in a world she finds tedious and monotonous. Ultimately, her ennui (Identities, p.20) becomes so

Similarities Between A White Woman Of Color And Mother Tongue

Yasaman Bayat Mr. Barrish ENGWR 101 3 November, 2015 Taking Different Routes The literacy narrative, ‘A White Woman of Color’, by Julia Alvarez and ‘Mother Tongue’, by Amy Tan are both wonderful tales that address the substance of race and discriminations. Both authors face challenges growing up in an immigrant household, when they strive to preserve their pride in their ethnicity and attempt to fight for equality. In essence, both Alvarez and Tan reveal their hardship and discomfort throughout

Analysis Of Black Man And White Woman In Dark Green Rowboat

“Black Man and White Woman in Dark Green Rowboat” Russell Bank’s “Black Man and White Woman in Dark Green Rowboat” is a short story about a young lady and a young man that are having the difficulty of deciding to keep a baby or have it aborted. The story starts off having the readers unknowing of who the main characters are at all, until the story goes on more. Once we figure out the main characters the story goes into the man and women getting in a green rowboat to go to this island to “fish”.

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research paper on woman in white

The Woman in White: Marian Halcombe, or Checkmate on Women’s Empowerment

Wilkie Collins’s fraudulent rhetoric of protest against patriarchal Victorian oppression is manifested through his manipulation of Marian Halcombe’s character: she does not represent an attainable example of women’s empowerment but rather of women’s subordination. Marian confronts Victorian patriarchal discourse through the doomed, symbolic games of chess she plays with Fosco and Collins, but she is inevitably disciplined, tamed, and transformed into the perfect “Angel in the House.” When the novel concludes, neither gender roles will have been changed nor equality attained, and feminine readers will have been lured into accepting that resignation, sacrifice and submission are the only alternatives.

Altick, Richard Daniel. Victorian People and Ideas: A Companion for the Modern Reader of Victorian Literature. 1st ed., Norton, 1973.

Ashley, Robert P. “Wilkie Collins Reconsidered.” Nineteenth-Century Fiction, vol. 4, no. 4, 1950, pp. 265–73, doi:10.2307/3044407.

Auerbach, Nina. Woman and the Demon: The Life of a Victorian Myth. Harvard UP, 1982.

Bachman, Savannah J. “Shutting Her Up”: An Exploration of the Madwoman and the Madhouse in Victorian Literature. 2017. Bard College, Senior undergraduate project. Senior Projects Spring.

Branfield, Shannon, “Sufficient for Herself”: Women & Silence in Wilkie Collins’s Novels. 2016. Utah State University, Master of Arts Report. All Graduate Plan B and other Reports.

Collins, Richard. “Marian’s Moustache Bearded Ladies, Hermaphrodites, and Intersexual Collage in The Woman in White.” Reality's Dark Light: The Sensational Wilkie Collins, edited by Maria K. Bachman and Don Richard Cox, U of Tennessee P, 2003, pp. 131‒72.

Collins, Wilkie. The Woman in White. Penguin Popular Classics, 1994.

Colvin, Trey V. Jezebel’s Daughters: A Study of Wilkie Collins and his Female Villains. 2000. University of North Texas, Doctoral dissertation.

Dau, Duc, and Shale Preston, editors. Queer Victorian Families: Curious Relations in Literature. Routledge, 2015, doi:10.4324/9781315762067.

Dever, Carolyn. “The Marriage Plot and Its Alternatives.” The Cambridge Companion to Wilkie Collins, edited by Jenny Bourne Taylor, Cambridge UP, 2006, pp. 112–24.

Fauvel, Aude. “Crazy Brains and the Weaker Sex: The British Case (1860–1900).” Clio: Women, Gender, History, vol. 37, 2014, pp. 41–64, doi:10.4000/clio.10972.

Gaylin, Ann. “The Madwoman Outside the Attic: Eavesdropping and Narrative Agency in The Woman in White.” Texas Studies in Literature and Language, vol. 43, no. 3, 2001, pp. 303–33.

Haefele-Thomas, Ardel. Queer Others in Victorian Gothic: Transgressing Monstrosity. U of Wales P, 2012.

Hedgecock, Jennifer. The Femme Fatale in Victorian Literature: The Danger and the Sexual Threat. Cambria Press, 2008.

Heller, Tamar. “The Woman in White: Portrait of the Artist as a Professional Man.” Dead Secrets: Willkie Collins and the Female Gothic, Yale UP, 1992, pp. 110–41. JSTOR,

Hoffer, Lauren N., and Sarah E. Kersh. “The Victorian Family in Queer Time: Secrets, Sisters, and Lovers in The Woman in White and Fingersmith.” Queer Victorian Families: Curious Relations in Literature, edited by Duc Dau and Shale Preston, Routledge, 2015, pp. 207–22.

Jiménez Ruiz, Ismael, and María Moya Nicolás. “The Family Caregiver: The Naturalized Sense of Obligation in Women to be Caregivers." Enfermería Global, vol. 17, no. 1, 2018, pp. 420‒47.

Kaplan, Laura Duhan. “Woman as Caretaker: An Archetype that Supports Patriarchal Militarism.” Hypatia, vol. 9, no. 2, 1994, pp. 123–33. JSTOR,

Kha, Henry. The Reform of English Divorce Law: 1857–1937. 2017. University of Queensland, PhD dissertation. UQ eSpace.

Ledoux, Ellen. “Was There Ever a ‘Female Gothic’?” Palgrave Communications, vol. 3, 2017, doi:10.1057/palcomms.2017.42.

Leonard, DeLisa. Women and Bodily Separation in Literature from the Victorian Era until Today. 2011. Eastern Michigan University, Master’s Theses and Doctoral dissertation.

Lesnik-Oberstein, Karín. The Last Taboo: Women and Body Hair. Manchester UP, 2011.

Liddle, Dallas. “Wilkie Collins, The Woman in White (1859–60).” Victorian Review, vol. 35, no. 1, 2009, pp. 37–41. JSTOR, 27793695/.

May, Leila Silvana. “Sensational Sisters: Wilkie Collins’s The Woman in White.” Pacific Coast Philology, vol. 30, no. 1, 1995, pp. 82–102, doi:10.2307/1316821.

Meckier, Jerome. “Wilkie Collins’s The Woman in White: Providence against the Evils of Propriety.” Journal of British Studies, vol. 22, no. 1, 1982, pp. 104–26. JSTOR,

Miller, D. A. “Cage Aux Folles: Sensation and Gender in Wilkie Collins’s The Woman in White.” Representations, vol. 14, 1986, pp. 107–36, doi:10.2307/2928437.

Nelson, Heather Lea. The Law and the Lady: Consent and Marriage in Nineteenth-Century British Literature. 2015. Purdue University, Doctoral dissertation. Purdue e-Pubs.

O’Neill, Philip. Wilkie Collins: Women, Property, and Propriety. Rowman & Littlefield, 1988.

Oulton, C. “‘The Good Angel of Our Lives’: Subversive Religion and The Woman in White.” Dickens Studies Annual, vol. 30, 2001, pp. 309–20. JSTOR,

Öztekin, Sercan. “Subversion of Gender Stereotypes in Wilkie Collins’s The Woman in White and Mary Elizabeth Braddon’s Lady Audley’s Secret.” Crossroads: A Journal of English Studies, vol. 1, no. 32, 2021, pp. 36–48, doi:10.15290/CR.2021.32.1.03.

Perkins, Pamela, and Mary Donaghy. “A Man’s Resolution: Narrative Strategies in Wilkie Collins’ The Woman in White.” Studies in the Novel, vol. 22, no. 4, 1990, pp. 392–402. JSTOR, 29532745/.

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research paper on woman in white

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