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research paper on woman in white

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When organizing your research paper, the thesis statement is where you explain to your readers what they can expect, present your claims, answer any questions that you were asked or explain your interpretation of the subject matter you’re researching. Therefore, the thesis statement must be strong and easy to understand. Your thesis statement must also be precise. It should answer the question you were assigned, and there should be an opportunity for your position to be opposed or disputed. The body of your manuscript should support your thesis, and it should be more than a generic fact.

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Many professors require outlines during the research paper writing process. You’ll find that they want outlines set up with a title page, abstract, introduction, research paper body and reference section. The title page is typically made up of the student’s name, the name of the college, the name of the class and the date of the paper. The abstract is a summary of the paper. An introduction typically consists of one or two pages and comments on the subject matter of the research paper. In the body of the research paper, you’ll be breaking it down into materials and methods, results and discussions. Your references are in your bibliography. Use a research paper example to help you with your outline if necessary.

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research paper on woman in white

Victorian Review: An Interdisciplinary Journal of Victorian Studies publishes articles in all areas of Victorian studies. Founded in 1972 as the Newsletter of the Victorian Studies Association of Western Canada, it became a refereed peer-reviewed academic journal in 1989. Its current mandate is to publish the best international research in this interdisciplinary field, as well as to provide critical reviews of new books in Victorian studies by experts from around the world. Finally, our regular Victorian Review forum provides a unique venue in which diverse scholarly voices may address a topic from multiple points of view. The journal is published twice annually by the Victorian Studies Association of Western Canada.

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Female Identity: " The Woman Question " in William Wilkie Collins' The Woman in White

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During the nineteenth century, the English society was undergoing a process of economic, social, moral and religious change brought primarily by the Industrial Revolution. One of these social changes included the issue of “the Woman Question”, a term that refers to women’s place in society. This dissertation examines women’s role in society (including legal rights, psychological and social issues) through the analysis of William Wilkie Collins’ The Woman in White. The analysis includes the examination of the three main female characters; Laura Fairlie, Marian Halcombe and Anne Catherick. The aim of this dissertation is to try to conclude, by analyzing the psychological and social consequences of the female characters, whether Collin’s novel criticizes the unfair situation of women during the nineteenth century and therefore introduces “the Woman Question” through the characters of the novel.

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research paper on woman in white

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Victorian Literature and Culture

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Martha Stoddard Holmes

Joseph Carroll , John Johnson

We set up a questionnaire on the web in which we listed about 2,000 characters from 200 19th-century British novels. Approximately 519 people filled out 1,470 questionnaires on 435 characters from 144 novels. Each questionnaire contained questions about the character's motives and personality and about the respondent's emotional responses to the character. Respondents also identified characters as protagonists, antagonists, or minor characters. We hypothesized that the contrast between protagonists and antagonists would display the ethos of the novels as a whole. We conclude that the novels are designed to stigmatize dominance behavior and to promote an ethos of self-effacing cooperation. That is the same ethos that anthropologist Christopher Boehm identifies in hunter-gatherer culture. We infer that the novels fulfill the same kind of social function that gossip performs in hunter-gatherer cultures. The novels form a medium through which readers affirm their membership within a cooperative community.

Anna Maria Jones

Palgrave Macmillan

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Kirby-Jane Hallum

This essay seeks to extend the study of male consumption in the Victorian period, focusing specifically on the practice of aesthetic collecting in Wilkie Collins’s "The Woman in White" (1860). I compare male characters in this text, in terms of class and gender identity, in order to offer a pre-Wildean understanding of the Victorian male consumer. The novel’s treatment of the aristocracy and the middle classes offers substantial textual evidence of a relationship between consumption and masculinity, especially in relation to the collection of art as the acquisition of cultural capital. Drawing on the work of Pierre Bourdieu, I clarify the connection between class position and the possession of cultural capital in nineteenth-century Britain, and explore other cultural assumptions concerning aesthetic proficiency, social status and consumer behaviour. I consider the theory of cultural capital in its relation to practices of collecting by taking into account the aesthetic tastes and cultural goods ascribed to the nineteenth-century collector figure whereby a collector’s embodied cultural capital translates into a capacity to identify the aesthetic properties of artistic objects. The recognised ownership of such culturally-valued works of art represents the collector’s objectified cultural capital. How a collector comes to be in the position to distinguish, or indeed, to own art objects reflects his own social situation in terms of his class status and access to economic capital and education. My argument, in brief, is that the very notion of the collection differs between the classes; it is therefore my aim to look at how the practices of aesthetic collection carried out in "The Woman in White" validate the idea of cultural capital.

Victorian Network

Alice Crossley

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research paper on woman in white

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research paper on woman in white

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research paper on woman in white

The Woman in White: Marian Halcombe, or Checkmate on Women’s Empowerment

Wilkie Collins’s fraudulent rhetoric of protest against patriarchal Victorian oppression is manifested through his manipulation of Marian Halcombe’s character: she does not represent an attainable example of women’s empowerment but rather of women’s subordination. Marian confronts Victorian patriarchal discourse through the doomed, symbolic games of chess she plays with Fosco and Collins, but she is inevitably disciplined, tamed, and transformed into the perfect “Angel in the House.” When the novel concludes, neither gender roles will have been changed nor equality attained, and feminine readers will have been lured into accepting that resignation, sacrifice and submission are the only alternatives.

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Bachman, Savannah J. “Shutting Her Up”: An Exploration of the Madwoman and the Madhouse in Victorian Literature. 2017. Bard College, Senior undergraduate project. Senior Projects Spring.

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Collins, Richard. “Marian’s Moustache Bearded Ladies, Hermaphrodites, and Intersexual Collage in The Woman in White.” Reality's Dark Light: The Sensational Wilkie Collins, edited by Maria K. Bachman and Don Richard Cox, U of Tennessee P, 2003, pp. 131‒72.

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Hoffer, Lauren N., and Sarah E. Kersh. “The Victorian Family in Queer Time: Secrets, Sisters, and Lovers in The Woman in White and Fingersmith.” Queer Victorian Families: Curious Relations in Literature, edited by Duc Dau and Shale Preston, Routledge, 2015, pp. 207–22.

Jiménez Ruiz, Ismael, and María Moya Nicolás. “The Family Caregiver: The Naturalized Sense of Obligation in Women to be Caregivers." Enfermería Global, vol. 17, no. 1, 2018, pp. 420‒47.

Kaplan, Laura Duhan. “Woman as Caretaker: An Archetype that Supports Patriarchal Militarism.” Hypatia, vol. 9, no. 2, 1994, pp. 123–33. JSTOR, www.jstor.org/stable/3810173/.

Kha, Henry. The Reform of English Divorce Law: 1857–1937. 2017. University of Queensland, PhD dissertation. UQ eSpace.

Ledoux, Ellen. “Was There Ever a ‘Female Gothic’?” Palgrave Communications, vol. 3, 2017, doi:10.1057/palcomms.2017.42.

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research paper on woman in white

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Female Identity In 'The Woman In White'

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  4. The current consensus of “white” women

  5. The truth about white women take notes #whitewomenareevil #dollypartonisqueen #bebetter

  6. BRILLIANT EASY MOBILE COVER LIFE HACKS

COMMENTS

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  4. The Woman in White

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  11. Legal Discourse, Circumstantiality, and The Woman in White

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  12. Free The Woman in White Essays and Papers

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